Closing Date: Midnight Sunday 25th August
Judge: Don Dickins
Panorama Set Subject Guidelines
Panorama refers to a wide and unbroken image. The aspect ratio determines if an image is a panorama, an aspect ratio of 2:1 or more is the accepted definition. All the elements of the panorama should work together to convey a story.
What you can learn:
- The use of software to create a Panoramic image by stitching multiple images together.
- If stitching the requirement is to have all the camera settings in manual mode so that all the images making up the panorama have identical exposure, colour temperature, ISO and focus.
Due to a communication fail during the handover, the presenter, Graeme Gordon booked a holiday.
Michelle Kennedy will explain the new Interclub category definitions. For those who have looked at the wording of the definitions, you will be surprised to learn that the interpretation of those new categories is much broader than the words suggest. Many of our images would fall into one or even more of the categories. The interpretation is much more liberal than you may think.
As members are needed to submit images to the Competition Committee, this presentation is very timely and helpful. So, please attend.
The definitions can be found here
If time permits, then Michelle can talk about other of her presentations from the bag of excellent talks that she gives.
A night not to be missed!!!
Closing Date: Midnight September 22nd
Judging Date: Tuesday 24th September
Judge: Nic Peters
Water in Motion Set Subject Guidelines
Capture water as it moves, with the water being the main subject of the image.
Water taken with fast shutter speeds can have dramatic impact with high volumes of water, slower shutter speeds smooth out the movement of water. Creative images that have moving water are acceptable.
What you can learn:
- The effect that different shutter speeds have when photographing water in motion.
- The need to use low ISO and possibly neutral density filters to obtain slow shutter speeds in bright light.
- Use of a tripod to keep stationary elements of the image sharp but have the water blurred.
Graham Cam, the original presenter, is running the Birdlife Australia Photography Competition and is also preparing for an exhibition, and so he felt that he would not be at his best for the presentation.
As Fina Art Printing is a new category in the FCC Interclub, it is fortunate that Neville Thorogood is able to give a presentation on fine art.
Neville will cover his journey in photography and why he moved towards fine art and fine art printing.
Neville is a former member of CHRSLPC and is currently a member of the Wangi Workers Camera Club and also The Entrance CC. It is in these clubs that Neville has been ‘pushing the envelope’ with his remarkable images.
This is a timely presentation given the new FCC Interclub categories.
The Image of the Year Competition is available for all previous 2024 Competition entries that won an award. Either Image of the Month, Merit, Credit or Acceptance. Each member will be allowed to enter a maximum of 4 Images across Digital and Print. Digital Images entered during the year can be entered in the print section. There will be awards for Image of the Year Digital, Image of the Year Print and the Keith McGaughran Perpetual Trophy will be awarded to Image of the Year either Digital or Print.
Closing Date: Midnight Sunday 20th October
Judging Date: Tuesday 22nd October
Judge: Doug Carley
Playing with Artificial Light Set Subject Guidelines
Artificial light refers to any light that’s not produced naturally. The light source excludes the sun, moon and stars as the dominant light source.
Be creative and use a light source or light sources to create an image that has impact. Light can be generated through streetlights, car headlights, torches and light painting tools. The light is to be added to the exposure whilst the camera shutter is open.
The use of light that is synchronised with the camera shutter in the form of a flash is excluded from the competition. Portraits of people, close up images that use studio flash or studio lighting are also excluded from this competition.
What you can learn:
The effect that different light forms can have on the impact of an image.
- Experiment with some composite images that tell a story with some creative lighting.
- Experiment with changing the colour of the light in post-production. The light source must be captured by the camera.
Tuesday 5 November – Pete Farrington – Aviation (Zoom – from the UK) – fee to confirm (May be a donation
to charity)
Peter is an author and photographer specialising in military aviation photography. Within recent months, Peter has retired from the RAF and pursues his passion in photography. Over the years of being a member of the Royal Air Force, Peter was lucky to be in the position to capture many fantastic aircraft up close and personal – from the ground, and from the air.
Peter uses photography to keep the stories of those who serviced and flew aircraft, alive. He is a fantastic story teller, and will use his great images, to take members on a journey into the skies, and the past.
Closing Date: Midnight Sunday 24th November
Judging Date: Tuesday 26th November
Judge: Graham Cam
Panning Set Subject Guidelines
The image is to be taken while panning the camera. Blurred backgrounds must be created by the camera movement and not the use of post-production software.
What you can learn:
- Experiment with shutter speeds to determine what parts of an image show motion and add to the story.
- How changing the shutter speed can affect the clarity of the subject or parts of the subject and blur the background.
- Practice panning through using the hips to turn with the subject with the arms close to the body.