The Image of the Year Competition is available for all previous 2024 Competition entries that won an award. Either Image of the Month, Merit, Credit or Acceptance. Each member will be allowed to enter a maximum of 4 Images across Digital and Print. Digital Images entered during the year can be entered in the print section. There will be awards for Image of the Year Digital, Image of the Year Print and the Keith McGaughran Perpetual Trophy will be awarded to Image of the Year either Digital or Print.
Closing Date: Midnight Sunday 20th October
Judging Date: Tuesday 22nd October
Judge: Doug Carley
Playing with Artificial Light Set Subject Guidelines
Artificial light refers to any light that’s not produced naturally. The light source excludes the sun, moon and stars as the dominant light source.
Be creative and use a light source or light sources to create an image that has impact. Light can be generated through streetlights, car headlights, torches and light painting tools. The light is to be added to the exposure whilst the camera shutter is open.
The use of light that is synchronised with the camera shutter in the form of a flash is excluded from the competition. Portraits of people, close up images that use studio flash or studio lighting are also excluded from this competition.
What you can learn:
The effect that different light forms can have on the impact of an image.
- Experiment with some composite images that tell a story with some creative lighting.
- Experiment with changing the colour of the light in post-production. The light source must be captured by the camera.
Sports photography can be a very satisfying genre.
There are varying conditions such as indoor and outdoor lighting.
There are many types of sports action. There will be something happening nearby nearly every weekend that you could photograph.
Closing Date: Midnight Sunday 24th November
Judging Date: Tuesday 26th November
Judge: Graham Cam
Panning Set Subject Guidelines
The image is to be taken while panning the camera. Blurred backgrounds must be created by the camera movement and not the use of post-production software.
What you can learn:
- Experiment with shutter speeds to determine what parts of an image show motion and add to the story.
- How changing the shutter speed can affect the clarity of the subject or parts of the subject and blur the background.
- Practice panning through using the hips to turn with the subject with the arms close to the body.
